Process Of Guilt/Faemin/Division Records/2012 CD Review

  Process  Of  Guilt  are  a  band  from  Portugal  that  plays  a  mixture  of  sludge,  doom,  and  death  metal  and  this  is  a  review  of  their  2012  album  "Faemin"  which  was  released  by  Division  Records.

  Drums  range  from  slow  to  mid  paced  drumming  with  not  much  in  the  way  of  fast  playing  or blast  beats,  while  the  bass  playing  has  a  very  strong  and  powerful  tone  with  sludge/doom  metal  riffing  that  dominates  throughout  the  recording.

  Rhythm  guitars  range  from  slow  to  mid  paced  riffs  that  combine  sludge,  doom  and  death  metal  together  with  a  great  amount  of  heavy  distortion  behind  the  riffing  in  addition  the  songs  are  very  long  and  epic  in  length,  while  the  lead  guitars  are  very  distorted  and  noisy  sounding  guitar  solos  and  leads  along  with  some  psychedelic  elements  being  thrown  in  at  times,  as  for  the  acoustic  guitars  when  they  are  utilized  they  use  full  chords  to  enhance  the  darkness  that  is  coming  out  of  the  music.

  Vocals  are  a  mixture  of  deep  death  metal  growls  and  high  pitched  sludge  screams  with  some  influences  from  hardcore  as well  as  a  brief  use  of  clean  singing,  while  the  lyrics  cover  dark  and  depressive  themes,  as  for  the  production  it h as  a  very  strong,  powerful,  heavy  and  professional  sound  where  you  can  hear  all  of  the  musical  instruments  that  are  present  on  this recording.

  In  my  opinion  process  Of  Guilt  are  a  very  great  sounding  hybrid  of  sludge,  doom,  death  metal  and  hardcore  and  if  you  are  a  fan  of  this  style  of  music,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Empire"  and  "Harvest".  RECOMMENDED  BUY.

Sons Of Tonatiuh/Parade Of Sorrow/Hydro-Phonic 2012 CD Review

  Sons  Of  Tonatiuh  are  a  band  from Atlanta,  Georgia  that  has  been  featured  before  in  this  zine  that  plays  a  mixture  of  stoner,  sludge,  doom  and  crust  and  this  is  a  review  of  their  2012  album  "Parade  Of  Sorrow"  which  was  released  by  Hydro-Phonic.

  Drums  range  from  slow,  mid  paced  to  fast  drumming  with  no  blast  beats  being  presented  on  the  recording,  while  the  bass  playing  has  a  very  strong  and  powerful  tone  with  stoner/sludge  metal  riffing  that  dominates  throughout  the  recording.

  Rhythm  guitars  range  from  slow,  mid  paced  to  fast  riffing  that  combines  elements  of  sludge,  doom,  stoner,  crust  and  punk  together  with  a  good  amount  of  melody  being  thrown  into  the  riffing,  while  the  lead  guitars  are  70's  style  stoner  metal  guitar  solos  and  leads.

  Vocals  are  mostly  high  pitched  sludge/grindcore  screams  with  some  clean  singing  being  thrown  into  the  music  at  times,  while  the  lyrics  cover  dark  and  depressing  themes,  as  for  the  production  it  has  a  very  strong,  powerful  and  heavy  sound  where  you  can  hear  all  of  the  musical  instruments  that  are  present  on  this  recording.  

  In  my  opinion  this  is  another  great  album  from  Sons  Of  Tonatiuh  and  if  you  where  a  fan  of  their  previous  efforts,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "White  Wall"  "Colors  Run  Red"  "Seasick"  and  "Fallout".  RECOMMENDED  BUY.

The Body/Self Titled/At A Loss Recordings/2012 CD Re-Issue Review

  The  Body  are  a  band  from  Rhode  Island  that  has  been  featured  before  in  this  zine  with  a  musical  style  that  I  would  describe  as  being  a  mixture  of  drone,  doom,  and  sludge  metal  and  this  is  a  review  of  their  self  titled  2004  album  which  was  re-issued  by  At  A  Loss  Recordings  in  2012.

  Drums  are  all   slow  playing  with  no  fast  drumming  or  blast  beats  being  present  on  this  recording,  while  the  synths  and  sound  effects  bring  in  elements  of  drone,  dark  ambient  and  industrial  noise  to  the  music,  as  for  the  bass  playing  it  has  a  very  strong  and  powerful  sound  with  heavy  sludge  riffing  that  dominate  throughout  the  recording.

  Rhythm  guitars  are  all  slow  riffs  that  mix  doom,  drone  and  sludge  metal  together  with  most  of  the  songs  being  short while  a  couple  are  very  long  and  epic  in  length  addition  there  is  a  stoner  vibe  to  some  of  the  riffing  and  there  are  no  guitar  solos  or  leads  present  on  this  recording  with  the  music  being  all heavy  rhythms.

  Vocals  are mostly  high  pitched  sludge  screams  with  some  spoken  word  parts  and  samples  being  used  at  times,  while  the  lyrics  cover  hateful  and  heavy  themes,  as  for  the  production  it  has  a  very  dark,  heavy,  raw  and  primitive  sound  while  you  can  still  hear  all  of  the  musical  instruments  that  are  present  on  this  recording.

  In  my  opinion  this  was  a  great  album  from  The  Body  which  is  alot  less  experimental  than  their  newer  material  and  if  you  are  a  fan  of  sludge/doom  metal,  you  should  check  this  recording  out.  RECOMMENDED  TRACKS  INCLUDE  "The  City  Of  The  Magnificent  Jewel"  "The  Mother  And  Tomb  Of  All  Things"  and  "Final  Words".  RECOMMENDED  BUY.

  

As Autumn Calls/Emotionless/2009 EP Review

  As  Autumn  Calls  are  a  band  from  Canada  that  plays  an  atmospheric  and  melodic  form  of  doom/death  metal  ans  this  is  a  review  of  their  self  released  2009  demo  "Emotionless".

  Drums  are  all  slow  drumming  with  no  fast  playing  or  blast  beats  being  present  on  this  recording,  while  the  bass  playing  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  is  coming  out  of  the  guitars  and  at  times  they  have  a  very  powerful  sound  to  them, as  for  the  synths  they  are  mostly  in  they  back  ground  and  they  bring  a  very  dark  and  atmospheric  sound  to  the  music.

  Rhythm  guitars  are  all  slow  riffs  that  combine  doom  and  death  metal  together  with  a lot  of  dark  sounding  melodies  being  thrown  into  the  riffing  with  the  songs  being  long  and  epic  in  length,  while  the  lead  guitars  are  very  melodic  sounding  guitar  solos  and  leads, as  for  the  classical  guitars  when  they  are  utilized  they  use  finger  picking  and  full  chords  to  enhance  the  darkness  of  the  music.

  Vocals  range  from  deep  death/doom  metal  growls  to  high  pitched  screams  that  have  a  black  metal  feeling  to  them  as  well  as  some  clean  singing  being  used  on  the  last  song  in  addition  there  are  some  spoken  word  parts  on  the  same  song,  while  the  lyrics  cover  depressing  and  dark  themes,  as  for  the  production  it  has  a  very  dark,  powerful  and  heavy  sound  to  it.

  In  my  opinion  As  Autumn  Calls  are  a  very  great  sounding  atmospheric  and  melodic  doom/death  metal  band  and  if  you  are  a  fan  of  this  style,  you  should  check  this  recording  out.  RECOMMENDED  TRACK "Resignation".  RECOMMENDED  BUY.

Unfold Interview

1. Can you give us an update on what is going on with the band these days?

Elie (guitar/keys) : Well, we’ve released our new album called « Cosmogon » last September through Division Records. The vinyl version (picture disc LP), limited to 250 copies worldwide, has been released last month and looks really great. We are playing some shows and already writing new songs for a future realease.


2. How would you describe the musical sound of the new album and how it differs from previous releases?
The sound of the new album was designed to be a bit more lively and less compressed than on our previous albums. But i twas also important for us that it doesn’t sound small. We wanted a rough, dynamic and powerful sound that would fit the songs the best.


3. What are some of the lyrical topics and subjects the band explores with the new release?
Well, the way we use lyrics is maybe kind of untypical, as we focus more on the « resonance » of words than on a concept. However, the lyrics are a coherent entity with different meanings and levels of interpretation. We love them subtle, thoughtful and dark.


4. What is the meaning and inspiration behind the bands name?
There is no real meaning or inspiration. We just thought it sounded good and at the time we were really convinced that this name made sense to us.


5. What are some of the best shows that the band has played so far and how would you describe your stage performance?
We really focus on giving intense shows. There have been a lot of good shows and great memories until now an dit would be difficult to point one out.


6. Do you have any touring plans for the future?
As we all have jobs , it has become difficult to tour, but we love to play live, so we do our best to play as many shows as we can.


7. On a worldwide level how has your newer music been recieved by fans of underground music?
Pretty well. We have had a lot of good reviews and we are happy that most of the reviewers did understand what we tried to do on this album. But inevitably some others haven’t understood anything at all. Some reviews on websites or blogs are pretty unprofessionnal and we miss good quality writers and journalists who really have a strong musical background and culture.


8. Are there any other projects besides this band or is this a full time line-up?
This is a full time line-up for everybody, except for our singer Danek, who also plays with Sludge and Yverdoom.


9. What direction do you see your music heading into on future releases?
I cannot really answer this question, as we haven’t written any new material, but we’ll always try to experiment and bring new ideas in our songs.


10. What are some bands or musical styles that have influenced your music and also what are you listening to nowadays?
Common influences in the band go from metal/hardcore to indy rock, electronica or black/death metal. Some are old bands and some are new, but most of them are non-commercial bands which really bring something good and sincere on the table. We now listen to many bands. Here are some of them : Enslaved, La Dispute, Converge, Meshuggah, Andreya Triana, Melissa auf der Maur, and so on.


11. Outside of music what are some of your interests ?
Listening to music and going to concerts. When we have time…


12. Any final words or thoughts before we wrap up this interview?
Thank you very much for this interview and your interest in Unfold. We love you.

Helmut Interview

1.Can you tell us a little bit about the band for those that have never heard of you before?

Helmut is a blues-metal band from Geneva Switzerland. There is Simon on drums, Guillaume on bass, Florian and myself (Sam) on guitar and Peter on vocals. We started in 2006 with almost the same lineup. We had a change on drums in 2010. We released a first EP in 2007 (Mjöllnir), our first album in 2009 (12) and finally our second album «XI IX XI» on september 11th 2011 with the support of HeimatHome Records.

2.  How would you describe your musical sound?

Like a nice fat beef steak. It’s raw, juicy and it’s not adapted to vegetarians. The guitars are based on well known bluesy elements, while the drums and vocals have kept the metal feeling on which our first album was based on. Maybe, it’s simply blues the way it’s supposed to be played in 2012. It has all that power that we like in metal music but it’s very easy to listen to.

3.  What are some of the lyrical topics and subjects the band explores with the music?

Pretty much nothing. It’s all in the music. It is very important for us to not be considered as a band with some kind of message. Our purpose is just about having fun, together with the audience. The lyrics are about food and drinks that we like to share, stuff like that. Actually, nothing. The only song that could have a meaning, would be «Karl Lagerfeld». He’s a fascinating character. I’m sure he would be a nice guy to share a drink with.

4.  What is the meaning and inspiration behind the bands name?

In our minds, Helmut is a stereotypical german tourist on the Costa Brava in Spain. Someone who is fat, burnt by the sun, drinks a lot of beer and disturbs everybody around with his loud and annoying laugh. That’s what our music made us think of, as we were looking for a band name.

5.  What are some of the best shows that the band has played so far and how would you describe your stage performance?

Our best venue was definitely the Silence Festival 2011 in Kathmandu Nepal. We were lucky to play in front of about 7’000 people in a football stadium. One done, on the «what would you want to experience with music ?» list. We also had a wonderful time in Moudon Switzerland, in a club called The Prison. You know, one of these nights, when everything just flows, great gig. Our stage performance is all about having fun, as I said before. I’m not saying we’re funny, but we don’t pull people down with some obscure mood. Playing music live, is something we enjoy. We just want to share that pleasure with the audience, and I think it’s comes across.

6.  Do you have any touring plans for the new release?

Oh yeah, Randy and Olivier, the guys of HeimatHome Records are doing a great job. The record has a good visibility, and promoters in Switzerland get to hear it. We play mostly in Switzerland, but we would definitely want to export ourselves. Not only in Nepal, but also closer, like Germany, France, Italy, Austria and anywhere else where we’d have the opportunity to rock the crowd.

7.  On a worldwide level how has your music been received by fans of underground music?

We get to read reviews from all over the world. I’d say it’s between 6.5 and 10 on 10. Most of the journalists seem to like the record. We know that most of them are musicians too and represent the underground average population in their country. You can tell that they have really listen to the record by reading their reviews, it’s nice. On a more direct level, we get the feeling that the audience at the concerts really has a good time with us. But we only can speak  of Switzerland and Nepal so far.

8.  Are there any other projects besides this band or is this a full time line-up?

Musically, not really. Nothing relevant so far. It’s everybody’s main musical project. But beside the music, three of us are fathers. All the parents reading this will understand my point. Even if I wanted to get involved in some other band as I am in Helmut, I just wouldn’t have the time.

9.  What direction do you see your music heading into on future releases?

We have started composing new stuff for what could become our 3rd album. It clearly has a link with our second that we just released. Our sound seems to get more personal and the whole efficiency of the musical elements has grown. It’s in same artistic spirit, but it’s just so much better. About half of the songs of «XI IX XI» were composed with our former drummer. Of course, his inputs would take a song into a certain direction. I think that sometimes, we (Florian and I) would have prefered to take songs to other paths, but we just let go, because it’s how it is to play in a band. Compromise. On the other hand, on those new songs, there’s no compromise. We don’t need to, everybody hears it the same way.

10.  What are some bands or musical styles that have influenced your music and also what are you listening to nowadays?

Our main musical influence is ZZ Top. Their music is so attractive. The songs, the groove, the sound, everything. We also share the taste for Van Halen, Cream, Hendrix and some of these great classics. Regarding the music of nowadays, we enjoy listening to Meshuggah, Mastodon, Gojira, Devin Townsend, Tool, Joss Stone, Christina Aguilera and so many others. It’s hard to think of a list. I discovered a great band recently, Jet. I know, they’ve been around quite a while now, but anyway...

11.Outside of music what are some of your interests?

That’s a good question. I like to go running. It keeps me mentally balanced, I suppose. I also work half time to spend more time with my two sons. Guillaume and Peter are parents too. Peter is really into video games, especially the ones of which the title includes the word «war». Guillaume likes Golf. Simon is studying to become a psychiatrist, and Florian just loves to drive around with his car. He does that all the time, and sometimes he will stop somewhere random to get some food.

12.  Any final words or thoughts before we wrap up this interview?

I would just like to remind people to the fact that they should really actively support the bands. Especially their local scene. Lots of wonderful dedicated people put together local musical events. Get there. Buy a ticket, buy the CD of a band playing, or a shirt. Nobody will get rich, but these events will be able to survive through this support. If anybody, who’s reading this, is putting together a festival somewhere, and wants to book Helmut, go for it. We’ll be there. 

Darkseed/Astral Darkness Awaits/Massacre Records/2012 Digital Album Review

  Darkseed  are  a  band  from  Germany  that  has  had  a  couple  of  their  albums  reviewed  as  well  as  being  interviewed  by  this  zine  that  plays  a  musical  style  that I  would  describe  as  being  gothic  metal  and this  is  a  review  of  their  2012  digital  album  "Astral  Darkness  Awaiths" which  was  released  by  Massacre  Records.

  Drums  range  from  slow  to  mid  paced  drumming with  not  much  in  the  way  of  fast  playing  or blast  beats,  while  the  synths  bring  an  atmospheric,  gothic,  industrial  and  progressive  rock sound  to the  music,  as  for  the  bass  playing  it  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  is  coming  out  of  the  guitars  and  at  times  they  have  a  very  powerful  sound  to  them.

  Rhythm  guitars  range  from  slow  to  mid  paced  gothic  metal  riffs  that  utilize  a  great  amount  of  dark sounding  melodies,  while  the  lead  guitars  are  very  melodic  sounding  gothic  metal  guitar  solos  and  leads,  as  for  the  classical  guitars  which  are  only  utilized  on  the  last  song  they  use  finger  picking  and  full  chords  to  enhance  the d arkness  that  is  coming  out  of  the  music.

  Vocals  on  this recording  are  mostly clean  singing  with  a  brief  use  of   growls  and screams  as  well  as  some  spoken  word  male  and  female  parts,  while  the  lyrics  cover  dark  and  poetic themes,  as for  the  production  it has  a  very  strong,  powerful,  heavy  and  professional  sound  to  it.

  In  my  opinion  this  is  another  great  recording  from  Darkseed  and  if  you  are  a  fan of  this  band,  you  should  check out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Black  Throne"  "Disbeliever"  "Sleep Sleep  Sweatheart"  and  "The  Demon  Within".  RECOMMENDED  BUY.