Thursday, August 23, 2012

Yellowtooth/Disgust/Orchestrated Misery Recordings/2012 CD Review


  Yellowtooth  are  a  band  from  Michigan  City,  Indiana  that  plays  a  mixture  of  stoner,  sludge,  doom and  death  metal  and  this  is  a  review  of  their  2012  album  "Disgust"  which  was  released  by  Orchestrated  Misery  Recordings.

  Drums  range  from  slow  to mid  paced  drumming  with  not  much  in  the  way  of  fast  playing  or  blast  beats,  while  the  bass  playing  has  a  very  strong  and  powerful  sound  with  heavy  riffing  that  dominates  throughout  the  recording.

  Rhythm  guitars  range  from  slow  to  mid  paced  riffs  that  combine  sludge,  stoner  and  doom  metal  with  the  heaviness  of  death  metal  to  create  a  sound  of  their  own  as  well  as  a  brief  use  of  clean  playing  that  brings  a  classic  rock  feeling  to  the  music,  while  the  lead  guitars  are  stoner  rock  guitar  solos  and  leads  in  the  70's  vein.

  Vocals  are  mostly  deep  death  metal  growls  mixed  in  with  some  high  pitched  sludge  screams  and  samples  as  well  as  a  brief  use  of  clean  singing  while  the  lyrics  cover  dark  themes,  as  for  the  production  it  has  a  very  strong,  powerful,  heavy  and  professional  sound  where  you  can  hear  all  of  the  musical  instruments  that  are  present  on  this  recording.

  In  my  opinion  Yellowtooth  are  a  very  great  sounding  hybrid  of  stoner,  sludge,  doom  and  death  metal  and  if  you  are  a  fan  of  this  musical  style,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Wizard  Dust"  "John  Wilkes  Booth" "Prophetic  Ramblings" and  "Decaying  From  Within".  RECOMMENDED  BUY.

Monday, August 13, 2012

Daylight Dies/A Frail Becoming/Candlelight Records/2012 CD Review


  Daylight  Dies  are  a  band  from  North  Carolina  that  plays  a  very  melodic  and  atmospheric  form  of  doom/death  metal  and  this  is  a  review  of  their  2012  album  "A  Frail  Becoming"  which  was  released  by  Candlelight  Records.

  Drums  range  from  slow  to  mid  paced  drumming  with  not  much  in  the  way  of  fast  playing  or  blast  beats,  while  the  keyboards  when  they  are  utilized  bring  a  very  dark,  atmospheric  and  gothic  sound  to  the  music,  as  for  the  bass  playing  it  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  is  coming  out  of  the  guitars.

  Rhythm  guitars  range  from  slow  to  mid  paced  riffs  that  combine  melodic  death  metal  with  doom  and  gothic  metal  with  some  of  the  lighter  side  of  black  metal  influencing  the  riffing  as  well  as  some  clean  and  soft  playing  being  utilized  at  times,  while  the  lead  guitars  are  very  melodic  sounding  guitar  solos  and  leads,  as  for  the  acoustic  guitars  when  they  are  utilized  they  use  finger  picking  and  full  chords  to  enhance  the  darkness  and  depression  that  is  coming  out  of  the  music.

  Vocals  are  mostly  deep  death  metal  growls  with  some  clean  singing  being  utilized  at  times,  while  the  lyrics  cover  darkness,  death,  and  depression,  as  for  the  production  it  has  a  very  strong,  powerful,  heavy  and  professional  sound  to  it  bring  a  modern  approach  to  the  doom/death  metal  genre.

  In  my  opinion  Daylight  Dies  are  a  very  great  sounding  atmospheric  and  melodic  doom/death  metal  band  and  if  you  are  a  fan  of  this  style  of  music,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Infidel" "Sunset"  "Ghosting"  and  "An Heir  To  Emptiness".  RECOMMENDED  BUY.  

Thursday, August 9, 2012

Haarp/Husks/Housecore/2012 CD Review


  Haarp  are  a  band  from  New  Orleans,  Louisiana  that  plays  sludge/doom  metal  with  influences  from    death  metal  and  hardcore  and  this  is  a  review  of  their  2012  album  "Husks"  which  was  released  by  Housecore.

  Drums range  from  slow  to  mid  paced  drumming  with  not  much  in  the  way  of  fast  playing  and  blast  beats,  while  the  bass  playing  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  is  coming  out  of  the  guitars.

  Rhythm  guitars  range  from  slow  to  mid  paced  sludge/doom  metal  riffs  that  combine  the  heaviness  of  death  metal  with  some  influences  from  hardcore  and  there  are  no  guitar  solos  present   on  this  recording.

  Vocal  range  from  deep  death  metal  growls,  high  pitched  screams  and  hardcore  style  vocals,  while the  lyrics  cover  dark  and  nature  themes,  as  for  the  production  it  has  a  very  strong,  powerful,  heavy  and  professional  sound  with  the  songs  being  very  long  and  epic  in  length.

  In  my  opinion  Haarp  are  a  very  great  sounding  sludge/doom  metal  band  and  if  you  are  a  fan  of  this  style  of  music,  you  should  check  out  this  recording.  RECOMMENDED  TRACK  "Deadman/Rabbit".  RECOMMENDED  BUY.

Ever-Frost/Departing Of Time/2012 CD Review


  Ever-Frost  are  a  band   from  Italy  that  has  been  featured  before  in  this  zine  with  a  musical  style  that  mixes  melodic  death  metal  and  gothic  metal  together  and  this  is  a  review  of  their  self  released 2012  album  "Departing  Of  Time".

  Drums  range  from  slow,  mid  paced  to  fast  drumming  with  a  good  amount  of  blast  beats  being  thrown  into  the  music,  while  the  bass  playing  has  a  very  dark  tone  with  riffs  that  follow  the  riffing that  is  coming  out  of  the  guitars  and  at  times  they  have  a  very  powerful  sound  to  them.

  Rhythm  guitars  range  from  slow,  mid  paced  to  fast  melodic  death  metal  riffs  that  have  some  gothic  metal  influences  being  thrown  into  the  riffing  as  well  as  a  brief  use  of  clean  playing,  while  the  lead  guitars  are  very  melodic  sounding  death  metal  guitar  solos  and  leads  that  also  mix  in  influences  from  power  and  traditional  metal,  as  for  the  acoustic  guitars  when  they  are  utilized  they  use  full  chords  to  add  more  depression  to t he  music.

  Vocals  range  from  deep  death  metal  growls  to  high  pitched  melodic  death  metal  screams  as  well  as  a  brief  use  of  clean  singing,  while  the  lyrics  cover  dark,  depressive  and  everyday  themes,  as  for  the  production  it  has  a  very  strong,  powerful,  heavy  and  professional  sound  for  being  a  self  released  recording  where  you  can  hear  all  of  the  musical  instruments  that  are  present  on  this  recording.

  In  my  opinion  this  is  another  great  recording  from  Ever-Frost  and  if  you  where  a  fan  of  their  previous  music,  you  should  enjoy  this  album.  RECOMMENDED  TRACKS  INCLUDE  "A  Glance  Into  The  End"  "Cosmic  Evolution"    and  "Tear  Down  The  Sky".  RECOMMENDED  BUY.

Monday, July 9, 2012

Crypt Of Kerberos/World Of Myths/Pulverised Records/2012 CD Re-Issue Review


  Crypt  Of  Kerberos  are  a  band  from  Sweden that h as  a  history  dating  back  20  years  with  a  musical  style  that  combines  doom,  death  metal  and  progressive  music  together  and  this  is  a  review of  their  1993  album  "World  of  Myths"  which  was  released  by  Pulverised  Records  during  the  year  of  2012.

  Drums  range  from  slow, mid  paced  to  fast  drumming  with  some  blast  beats  being  thrown  into  the music  at  times,  while  the  bass  playing  has  a  very  strong  and  powerful  sound  with  heavy  progressive  death  metal  riffing  that  dominates  throughout  the  recording,  as  for  the synths  when  they  are  utilized  they  bring  a  progressive  metal  feeling  to  the  music.

  Rhythm  guitars  range  from  slow,  mid  paced  to  fast  riffs  that  combine  doom,  Swedish  style  death  metal  and  progressive  music  together  with  a  great  amount  of  avant  garde  time  changes  being thrown  into  the  riffing  as  well  as  some  clean  playing,  while  the  lead  guitars  are  very  melodic,  progressive  and  technical sounding  guitar  solos  and  leads  that  utilize  a  great  amount  of  skill  and  talent,  as  for  the  classical  guitars  when  they  are  utilized  they  use  finger  picking  and  full  chords  to  add  more  variety  to  the  music.

  Vocals  range  from  deep  death  metal  growls,  high  pitched  screams  and  clean  singing,  while t he  lyrics  cover  Occultism,  as  for  the  production  it has  a  very  strong,  powerful,  heavy  and  professional  sound  where  you  can  hear  all  of  the  musical  instruments  that  are  present  on  this  recording,  in  addition  the  bonus  tracks  are  demo  versions  which  have  a  more  raw  and  primitive  sound  to  them.

  In  my  opinion  Crypt  Of  Kerberos  where  a  very  great  sounding  hybrid of  death,  doom  metal  and  progressive  music  and  if  you  are  a  fan  of  this  musical  style,  you  should  check out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Cyclone  of  Insanity"  "Ancient  War"  "Sleeping  God"  and  "World  Of  Myths".  RECOMMENDED  BUY.     

Saturday, June 30, 2012

Process Of Guilt Interview


1. Can you give us an update on what is going on with the band these days?

We just finished a number of concerts in Portugal in order to promote and present our latest album,“Faemin”. The first show was in one of the main national festivals, SWR Metalfest and the last was in Lisbon, just a few days ago. Right now we´re focused on the continued promotion and disclosure of the record, to the public and to the press, while we're in the process of booking a European tour for late October.

2. How would you describe the musical sound of the new album and how it differs from previous recordings.

            This time the composition process was different. We started it from scratch, just with the conviction of creating a more intense and oppressive album than the previous ones. It was a more laborious process, but, in the end, it was definitely a more rewarding one. All things were seen in detail, all the composition was thought and performed with more dedication than before. We wanted the final sound of the record to stay closer to what we play live, organic but cohesive at the same time, more “in your face”. We can say that “Faemin” is a more direct and concise album, the songs are rawer and less melodic than the approach in “Erosion”. This time one of our main purposes was to build up rhythmically compelling songs, exploring different dynamics and textures. It's not of our interest doing the same songs or album over and over again, therefore we see “Faemin” as a step forward, a natural evolution in our work, the album that we wanted to do for so long and much more in line with what Process of Guilt is nowadays.

3. What are some of the lyrical topics and subjects the band explores with the new release?
           
            All our work has our own personal experience as its mainly source of inspiration. We draw our inspiration from everything that surround us, mainly all the brutality associated to that reality and our thoughts about the negativity of this subjects. Therefore, as a result, we try to explore and develop environments and atmospheres related with despair, depression and desolation. I guess the day-to-day life has much to offer in these aspects, and for us is an inexhaustible source of inspiration.
The main subject behind “Faemin” is the concept of starvation, scarcity, in the sense of maximum state of decay of the human being. For us, it represents the ultimate level in which the human being can’t ensure his own subsistence, the failure of mankind as an all, our own personal failure. We use our music to express and deal with our own feelings, anxieties, anger and concerns, what we conceive as our personal vision of what surrounds us, like a kind of “personal catharsis”.

4. What is the meaning and inspiration behind the bands name?

             We consider “guilt” and his process of evaluation as a feeling implicit in much of the things that move us in the everyday life. When we started, the idea was precisely performing music that could act for us as a purge of the day-to-day life. An act of externalization of our anxieties and frustrations before what surrounded us, trying to “expel” those feelings through music. So the name “Process of Guilt” proven to be a good designation for what we wanted it to be our musical expression.


5. What are some of the best shows that the band has played so far and how would you describe your stage performance?
           
In Portugal I will highlight the concerts supporting Katatonia, A Storm of Light and Minsk and also our participation in some of the the main Portuguese metal festivals, like the last editions of the main underground portugueses fests: SWR2012, Amplifest and Bracara Extreme Fest. In another level the Dutch Doom Days VIII in Holland and Madrid Is The Dark Fest in Spain were also very good shows and very special ones, since we had the chance to present our work to another audience, outside our country. The feedback was very good, contacts were made and we´re always looking for these kind of opportunities. We understand our work as a channel through which we express our most deep and personal feelings, so playing live is, in fact, an opportunity we have to share with the public what we feel when we´re playing our music. It´s an extension of what we feel in the moment and we seek to transmit that in a very sincere and raw way. On stage you can expect a very intense, emotive and honest show. We love playing live, always searching for new places with the adequate conditions to exhibit our work, since our goal is to provide the best show possible, with quality and intensity, for us and the public.

6. Do you have any touring plans for the future?

            Yes, we´re right now in the process of booking some shows in Europe for later this year. We are still analyzing the routing plan, doing some contacts and I believe we are half way there. But of course, for us it would be a big step forward, an opportunity that we aspire for a long time.

7. On a worldwide level how has the feedback been to your music by fans of extreme music?

            Before the official release we had a good number of pre-orders sold, our biggest number for a pre-order so far. The album is a co-edition between Bleak Recordings and Division Records and it was exclusively released in Portugal by Bleak, and worldwide by Division in early June. The feedback has been a very positive one so far, both fans and press seem to like the direction of the album. We had a very positive feedback regarding the release shows, with a very enthusiastic reception by the public, what for us is an important sign of appreciation of what we're trying to achieve in our live performance. “Faemin” was the album of the month in the main metal magazine here in Portugal, “Loud!” and is gathering great reviews among the international press, like in “Pitchfork” or “Rock-A-Rolla Magazine”. Things so far have gone well, but we know that for this phase this is only the beginning, our ambition is to grow much more but always with our feet firmly on the ground.

8. Are there any other projects besides this band or is this full time line up?
           
In the past we all had other projects and we played with other bands, but since some time ago our focus and dedication is only with this band. We started in 2002, the formation is the same since then, “Faemin” is our 3rd full length album but we´re still an underground band with all its ups and downs. We wish we could have more time to dedicate to our music, but with our day-to-day jobs and bills to pay by the end of the month, sometimes things get a little bit delayed. But our musical expression is 100% channeled to Process of Guilt where we concentrate our full energy and therefore we do not feel any need to do other things in music, since we are very happy and motivated with all the work we're doing right now.


9. What direction do you see your music heading into on future releases?

            As I mentioned before, we are not interested in doing the same songs over and over again. In between albums, many things can happen. We will change and evolve both as individuals and as musicians,  and as a result, since we use our music to express and deal with our particular points of view, it's highly probable that our music will also evolve. We don´t feel stuck to a rigid and immutable music style, so we are not afraid to explore other kind of textures and dynamics, like we did in "Faemin. For now we don´t have a concrete idea of how the successor of “Faemin” will be, but of one thing we are sure, you can always expect intense and dark music through strong and honest compositions.

10. What are some bands or musical styles that have influenced your music and also what are you listening to nowadays?

In the beginning when we recorded our two demos we can say that some of our main influences were bands like Katatonia, Nefilim with “Zoon” and Doom/Death in general. But even back then we were all into other kind of bands and music, not only restricted to metal; our background was, and is, diverse and vast. Over the years our tastes, points of view and ways of dealing with all what surrounds us has changed. We can say that Doom Metal is still the base of our sound but our music and expression goes far beyond that. I understand that putting a label in music is a facilitator mode of classify a band to the market and to public in general, but it's also a reductive way of putting things, often misleading. For us more important than belonging to a certain style is to do music with which we identify ourselves and take pleasure with it. Through our music we´re more concerned in creating an intense and emotive experience, with a raw and tense atmosphere, always seeking for the “purity of the riff”, for us the essence of Doom. In some recent “Faemin” reviews, acts like Neurosis and Godflesh are mentioned as influences, what for us is a big compliment, since we really like and respect both bands. Of course, both as musicians and listeners we all have several points in common, bands we all like and consider as references, as the two names mentioned before, but overall I consider us as having an eclectic taste. Personally and nowadays in my mp3 I´m listening the new albums of Tragedy and Unsane, but also bands like Kyuss, Amenra, Trap Them and Acid Bath; and also some good and old Morbid Angel works, like “Covenant” and “Domination”.

11. Outside of music what are some of your interests?

            I can speak mainly of my tastes. Besides music, I´m interested in cinema, almost all kind of movies but particularly the dark ones; like in music I prefer those with tough and heavy atmospheres that explore the crudity of reality, the complexity of human relations, with their hopes, fears, ambitions and weaknesses. I love to read books, travel and meet new places, hang out with my friends, things like that. I have a degree in Sociology, so it´s an area in which I also have interest.

12. Any final words or thoughts before we wrap up this interview?

            Thank you and Doom To Darkness for the interest in Process of Guilt and for this interview. And just say that “Faemin” is available in full streaming at our internet page (processofguilt.com) and that all news and updates concerning Process of Guilt can be followed through our Facebook page. If anyone feels in tune with some of what I wrote before, please visit us over the internet and support us!

Wednesday, June 27, 2012

Samothrace/Reverence To Stone/20 Buck Spin/2012 CD Review


  Samothrace  are  a  band  from  Seattle,  Washington  that  plays  a  mixture  of  doom/death  metal  with  elements  of  sludge  and  crustcore  and  this  is  a  review  of  their  2012  album  "Reverence  To  Stone"  which  was  released  by  20  Buck  Spin.

  Drums  range  from  slow  to  mid  paced  drumming  with  not  much  in  the  way  of  fast  playing  or  blast  beats  with  some  percussion  playing  being  utilized  at  times,  while  the  bass  playing  has  a  very  strong  and  powerful  tone  with  heavy  riffing  that  dominates  throughout  the  recording,  as  for  the  sound  effects  when  they  are  utilized  they  bring  in  elements  of  ambient,  drone  and  noise  music.

  Rhythm  guitars  range  from  slow  to  mid  paced  doom  metal  riffs  that  utilize  the  heaviness  of  death  metal  and  mix  in  influences  from  sludge  and  crustcore  to create  a  sound  of  their  own  as  well  as  throwing  in  dark  sounding  melodies  in  the  riffing  in  addition  there  is  a  brief  use  of  clean  playing,  while  the  lead  guitars  are  very  melodic  sounding  guitar  solos  and  leads.

  Vocals  range  from  deep  doom/death  metal  growls  to  high  pitched  sludge  screams,  while  the  lyrics cover  dark  and  depressing  themes,  as for  the  production  it  has  a  very  strong,  powerful,  heavy  and  professional  sound  where  you  can  hear  all  of  the  musical  instruments  that  are  present  on  this  recording,  in  addition  the  2  songs  that  are  present  on  this  recording  are  very  long  and  epic  in  length.

  In  my  opinion  Samathrace  are  a  very  great  sounding  hybrid  of  doom  and  sludge  metal  and  if  you  are  a  fan  of  this  style  of  music,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "When  We  Emerged".  RECOMMENDED  BUY.