Saturday, June 13, 2015

Khemmis/Absolution/20 Buck Spin/2015 CD Review


  Khemmis  are  a  band  from  Denver,  Colorado  that  plays  a  mixture  of  stoner, sludge  and  doom  metal  and  this  is  a  review  of  their  2015  album  "Absolution"  which  will be  released  in  July  by  20  Buck  Spin.

  A  very  slow,  dark  and  heavy  doom  metal  sound  starts  off  the  album  along  with  some  melodic  guitar  leads  a  few  seconds  later t hat  also  become  a  very  huge  part  of  the  recording  and  some  of  the  riffs  also  bring  in  elements  of  retro  and  stoner  rock  and  when  vocals  are  added  into  the  music  they  are  70's  influenced  clean  singing  vocals.

  Deep  death  metal  growls  can  be  heard  in  certain  sections  of  the  recording  and  the  music  also  brings  in  psychedelic  sounds  at  times  and  there  are  also  a  few  tracks  that  are  very  long  and  epic  in  length  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  the  music  also mixes  in  the  heaviness  of  sludge  along  with  the  whole  album  sticks  to  a  very   musical  direction  from beginning  to  ending  of  the  recording  and  the  last  track  also  brings  in  a  small  amount  of  acoustic  guitars.

  Khemmis  plays  a  musical  style  that  takes  the  slowest  and  heaviest  parts  of  stoner,  sludge  and  doom  metal  and  mixes  them  together  with  a  touch  of  death  and  post  metal  to  create  a  musical  style  of  their  own,  the  production  sounds  very professional  while  the  lyrics  cover  darkness  and  fantasy  themes.

  In  my  opinion  Khemmis  are  a  very  great  sounding  mixture  of  stoner,  sludge  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Serpentine"  and  "Antidiluvian".  8  out  of  10. 

Friday, June 12, 2015

Moanaa/Descent/2014 CD Review


  Moanaa  are  a  band  from  Poland  that plays  an  atmospheric  form  of  sludge  metal  and  this  is  a  review  of  their  self  released  2014  album  "Descent".

  Acoustic  guitar  playing  starts  off  the  album  along  with  some elements  of  indie  and  post  rock  and  after  a  few  minutes  the  music  goes  into  a  heavier  direction  and  also  adds  in growls  that  also  bring  in  a  touch  of  death  metal  and  hardcore  along  with  some  solos  and  leads  that  are  very  dark  and  melodic  and  a good  portion  of t he  tracks  are  very  long  and  epic  in  length.

  Psychedelic  sounds  can  be  heard  in  certain  sections  of  the recording  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  you  can  also  hear  a  small  amount  of   clean  singing  in  some  parts  of  the  songs  and  the  vocals  also  mix  in  a  rough  yet  melodic  tone  at  times and  the  music  also  brings  in  a  great  mixture  of  both  clean  and  heavy  parts  and  as  the  album  progresses  the  music  gets  more  atmospheric  and  the vocals  also  start  to  incorporate  more  high  pitched  screams  and  the  whole  album  sticks  to  a  slow  musical  direction  from  beginning  to  ending  of  the  recording.

  Moanaa  plays  a  style  of  sludge  metal  that is  very  heavy,  melodic  and  atmospheric  sounding  and  also  adds in  elements  of  hardcore,  post  rock  and  death  metal  to  create  a  musical  style  of  their  own,  the  production  sounds  very  professional  for  being  a  self  released  recording  while the  lyrics  cover  personal  struggles  and  depression  themes.

  In  my  opinion  Moanaa  are  a  very  great  sounding  atmospheric  sludge  metal  band  and  if  you  are  a fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Sunset  Growing  Old"  "Zero"  and  "Away".  8  out  of  10.       

Lanthanien/Nocturnalgica/2015 EP Review


  Lanthanien  are  a  band  from  Argentina  that  plays  a  symphonic  and  gothic  mixture  of  doom  and  death  metal  and  this  is  a  review  of  their self  released  2015  ep  "Nocturnalgica".

  Depressive  sounding  keyboards  along  with  choirs  and  a  heavy  sound  starts  off  the  ep  and  also  brings  in  a  great  amount  of  symphonic  elements  and  after  awhile  operatic  female  vocals  start  becoming  a  very  huge  part  of  the  recording  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  Deep  death  metal  growls  can  be  heard  in  some  parts  of  the  songs  along  with  a  small  amount  of  whispers  and  as  the  ep  progresses  black  metal  screams  can  be  heard  in  certain  sections  of  the  recording  and  the  music  also  mixes  in  orchestras  and  elements  of  classical  music  into  their  gothic/doom  sound  and  there  are  also  some  parts  where  the  music  speeds  up  a  bit  and  plays  in  a  few  blast  beats  and  there  is  also  a  brief  use  of  acoustic  guitars  being  utilized.

  Lanthanein  plays  a  very  symphonic  and  melodic  style  style  of  gothic  doom  metal  that  brings  in  the  heaviness  of  death  metal  and  a  touch  of  black  metal  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  for  being  a  self  released  recording while  the  lyrics  are  written  in  Spanish  and  cover  dark  themes.

  In  my  opinion Lanthanein  are  a  very  great  sounding  symphonic  and  gothic  mixture  of  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Nocturnalgica" and  "A  Orillas  Del  Silencio".  8  out  of  10. 

Trapped Within Burning Machinery/The Fifth Elements/Midnite Collective/Black Voodoo Records/2015 Full Length Review


  Trapped  Within  Burning  Machinery  are  a  band  from  California  that  plays  a  heavy  mixture  of  sludge  and  doom  metal  and  this  is  a  review  of  their  2015  album "The  Fifth  Element"  which  will  be  released  in  July as  a  joint  effort  between  Midnite  Collective  and  Black  Voodoo  Records.

  Clean  playing  starts  off  the  album  and  after  a  minute  clean  singing  vocals start  to  kick  in  giving  the  music  more  of  a  post  rock  feeling  and  after  awhile  the  music  starts  getting  more  heavy  and  melodic and  also  adds  in  sludge  style  high  pitched  screams  and  doom  metal  riffing  along  with  a  few  of  the  tracks  being  very  long  and  epic  in  length.

There  seems  to  be  a  good  balance between  both  clean  and  heavy  parts  throughout  the  recording  and  the  solos  and  leads  also  bring  a  melodic  post  metal  feeling  to  the  bands  musical  style  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  you  can  also  hear  a  touch  of  doom/death  metal  in  some  of  the  guitar  riffing  along  with  a  small  amount  of  growling  vocals  and  some  parts  also  bring  in  a  very  atmospheric  and  depressive  feeling  and  the  whole  album  sticks  to  a  very  slow  musical  direction  from  beginning  to  ending  of  the  recording.   

  Trapped  Within  Burning  Machinery  plays  a  musical  style  that  takes  some  of the  more  modern  post  and  sludge  metal  sounds  and  mixes  them  with  90's  style  doom/death  metal  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  cover  Anti  Existence,  Misanthropy,  Industrialism,  and  Drugs.

  In  my  opinion  Trapped  Within  Burning  Machinery  are  a  very  great  sounding  mixture  of  sludge  and  doom  metal  with  a  touch  of  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Korben  Dallas"  and  "Mr  Shadow".  8  out  of  10..   

Wednesday, June 10, 2015

Hellrad/Things Never Change/2015 CD Review


  Hellrad  are  a  band  from  Pennsylvania  that  plays  a  mixture  of  sludge,  doom  and  stoner  metal  and  this  is  a  review  of  their  self  released  2015  album  "Things  Never  Change".

  Air  raid  siren  sounds  start  off  the  album  along  with  some  distorted  reverb  which  leads  up  to  a  more  heavy  and  dark  style  of  doom  metal  that  is  also  very  heavily  mixed  in  with  sludge  and  spoken  word  samples  can  be  heard  in  certain  sections  of  the  recording  along  with  a  great  amount  of  stoner  rock  style  melodies.

  Some  of  the  tracks  are long  and  epic in  length  and  after  awhile  grim  screams  start  becoming  a  huge  part  of  the  recording  and  the  vocals  also  bring  in  a  small  amount  of  growls  at  times  and  some  of  the  tracks  also add  in  influences  of  70's  rock/proto  metal  along  with  all  of  the  musical  instruments  having  a  very  powerful sound  to  them and  when  solos  and  leads  are  utilized  they remain  true  to  the  styles  of  sludge,  stoner  and  doom.

  Hellrad  takes  the  slowest,  darkest  and  heaviest  style  of  sludge,  stoner and  doom  metal and  mixers  them  together  to  create  their  own  approach  to  the genre,  the  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  drugs,  addictions  and  life  themes.

  In  my  opinion  Hellrad  are  a  very  great  sounding  mixture of  stoner,  sludge  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Street  Zombies"  "Dope  Fiend  Jesus"  and  "15  Years  And  COunting".  8  out  of  10. 

Crimson Sky Interview


For those that have never heard of you before, can you tell us a little bit about the band?

We are the ones who never stop searching for something new, hidden and constantly present in our inner realms. Actually, our music and lyrics tell better about it. If you seek a more exact answer, it can be found in our biography.

Recently you have released a new album, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

The musical sound is reflection of our dreams, aspirations, and even visions. It’s full of passion and tranquility, anger and relief, cosmic sadness and epic joy… We felt this music under our skins. Thus, it cannot be squeezed into one frame of some specific genre… We usually call what we do – atmospheric doom metal, which only obliquely elucidates the sound we make. It differs from the debut album in that it is much more mature and thought-out. Moreover, the musical structure of “Transcendental Trip” seems more sophisticated.

This is the first full length to be released in 4 years, can you tell us a little bit more about what has been going on during that time span?
We are not a commercial band that aims to produce albums one after another. Moreover, we are not professionals who can easily release discs, being sure of their uniqueness. We experimented much during rehearsals, but many improvisations never turned into full compositions. So, during these years, we rehearsed and performed in different Ukrainian cities and towns, trying to realize how the audience accepts us. We were invited to perform at Global East Festival-2011 and Metal Heads Mission 2012, where we presented songs from “Rising”. Overall, we gained an experience.

The band was broken up for a few years, what was the cause of the split and also the decision to reform?
It was broken up because we were not there J Well, it was not actually the split, but a long pause after which Bohdan finally found those, who can accomplish his dream. However, it cannot be called reformation since it was the beginning of a totally new band.

What are some of the lyrical topics and subjects the band explores with the music?
We wanted to create new myths and stories, which embodied our inner worlds. However, we also focused on symbols from legends and fiction. For instance, we made our own perception of Mag Mell (Irish mythology), a blissful underworld, which can be achieved through noble death or magnificent glory. Warriors in our song get there with the help of Aimend’s kiss, “goddess in vermeil”, sun deity. The theme of godlike creatures is continued in “Ember of deities”, which symbolizes decay of humankind, transformation of gods (through the example of Egyptian ones) into remorseless castigators, and domination of Selene (moon goddess), who ruins hallow treasures of people because of their desire to become superior to deities… In other songs, we envision communication between alive woman and her deceased beloved, who comes into her dreams and tells about his path in afterworld; there also hallucinations of split mind, when the demon penetrates a vulnerable consciousness and makes a girl fight with malicious voice inside her head; we portrayed the loss of truth and essence of life, sorrow and devastation of the Mother Earth, but we also imagined enlightenment and renaissance of this world. There are many ideas behind our lyrics, which should be explained one by one. Moreover, they acquire new sense every time you read or listen to it. There are so many metaphors you should be patient to unravel. Thus, it would be great if people could immerse into this labyrinth of lyrics and ask us about the meanings.

What is the meaning and inspiration behind the name 'Crimson Sky'?
It was invented by our male vocalist, who wanted to give this name a shade of dark romanticism – the sky is getting crimson at sunset, which is a period of a beautiful natural metamorphosis, its transformation into night. Crimson sky can symbolize a bridge between the day and the night, when the sun and the moon exchange their energies. As our guitarist Serhii says, it’s a crack between worlds. Anyway, everyone of us sees something different in this simple name.

What are some of the best shows that the band has played over the years and also how would you describe your stage performance?
As we mentioned, those shows were Global East Festival-2011 headlined by Helloween and Metal Heads Mission 2012. The concert with Mournful Gust and Fleshgore in Krivoi Rog remained a memorable event, and our performance as the supporting act of Haggard in Kharkiv was an outstanding experience.
Our stage performance is a fiery melancholy, ejection of inner lightnings, and immersion into music trance.

Do you have any touring or show plans for the future?
It would be great to conquer Europe one day. Anyway, it is unlikely that we will perform with the same line-up.

On a worldwide level how has the feedback been to your music by fans of gothic, doom and death metal?
As we remember, there were no negative opinions, especially concerning the last album. However, we’re known better here in Ukraine. Some love us there, some criticize, some simply do not understand this style, but we definitely have our audience. We are still waiting for new reactions of the world.

What is going on with some of the other bands or musical projects these days that some of the band members are a part of?
Anton and Serhii experiment on black and death metal. Myroslava and Anatoliy experiment on jazz from time to time, and see the future with jazz fusions. Liudmyla does not take part in previous projects anymore.

Where do you see the band heading into musically during the future?
Ideally, it would be an experimental project with the focus on metal, but with diverse music adornments (maybe some authentic instruments, such as jaw harp, lyrichord, and pipe).

What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
Shining, Haggard, Draconian, Swallow the Sun are among those bands, which influenced our music. Our tastes encompass different kinds of metal, rock, jazz, and blues, as well as neo folk and world music.

What are some of your non-musical interests?
May they be hidden within our comfort zones. So, let’s say – never-ending self-actualization and discovery of the Universe.

Before we wrap up this interview, do you have any final words or thoughts?
It was nice to answer your questions, which refreshed our memories about who we are)) Hope that this interview will attract more music adherents around the globe to our album “Transcendental Trip”. It would be terrific if our songs resonated with minds, souls, and spirits of different people.

Monday, June 8, 2015

Church/Unanswered Hymns/Battleground Records/2015 CD Review


  Church  are  a  band  from  Sacramento,  California  that  plays  of  doom  metal,  sludge,  drone,  ambience  and  psychedelic  rock  and  this  is  a  review  of  their  2015  album  "Unanswered  Hymns"  which  will  be  released  in  September  by Battelground  Records.

  A  very  slow,  dark and  melodic  doom  metal  sound  starts  off  the  album  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  and  a  few  seconds  later  the  heaviness  of  sludge  starts  to  kick  in  and  melodic female vocals  can  also  be  heard  at times  and  the  music  also  utilizes  death  metal  growls  in  some  parts  of  the  songs.

  All  3  of  the  tracks  are  very  long  and  epic  in  length  and  the  songs  also  mix  in  high  pitched  sludge screams  in  certain  sections  of  the  recording  and  there  are also  some  parts that also  bring  in  a  decent  amount  of  clean  playing  that  also  gives  the songs  more  of  a  70's  and  psychedelic  feeling  and  when  solos  and  leads  are  utilized  they  add  more  of  a  dark  and  melodic  feeling  to  the recording  and  the  whole  album  always  sticks  to  a  very  slow  and  dark  musical  style.

  Church plays  a  musical  style  that  has  some  roots  in  traditional  doom  but  also  mixes  in elements  of  sludge,  death  metal,  drone  and  psychedelic  rock,  the  production sounds  very professional  while  the  lyrics  cover  Occultism  themes.

  In  my  opinion  Church  are  a  very great  sounding  mixture  of   doom  metal,  sludge,  drone,  ambience  and  psychedelic  rock  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "Stargazer".  8  out  of  10.